film Roman Polanski Wanted and Desired

Film  Roman Polanski Wanted and Desired  IMDbIMDb Discussion board  
Code ROMAN
  Roman Polanski Wanted and Desired
Genre Documentary
Director Marina Zenovich   IMDb
Actors   
Cat Documentary
Year 2007
Release 2008
Country USA
Runtime 75 min
Format Color, Sony HD Cam
   
Dynamic
   
Synopses

Marina Zenovich's new documentary examines the public scandal and private tragedy which led to legendary director Roman Polanski's sudden flight from the United States.
- IMDb.com

Roman Polanski is certainly admired and respected as one of the world’s great film directors. But his reputation has been forever tarnished by his public conviction for having unlawful sexual intercourse with a minor some 30 years ago and his subsequent flight from the United States to avoid going to jail. At least that's what everyone thinks. In her riveting reopening of this controversial and, as it turns out, very complex case, filmmaker Marina Zenovich fashions a perceptive and intelligent exploration of what really happened those many years ago and casts a very different light on Polanski’s decision as well as the workings of the legal system.

Revisiting all of the key players--the lawyers, the victim, and the media--and focusing on the conduct of the judge whose handling of the case was definitely unusual, as well as unearthing telling footage from the past and incorporating insightful interviews from the present, Roman Polanski: Wanted and Desired develops a case for a clear miscarriage of justice. But far from being an apologia for Polanski, the film is simply trying to bring comprehension and clarity to events long clouded by myths and presumptions. Sure to raise questions and perhaps resolve the limbo that still envelops Polanski, this documentary is one that you won’t want to miss. 
–Sundance Film Guide

   
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ExP: Steven Soderbergh, Randy Wooten
Pr: Jeffrey Levy-Hinte, Lila Yacoub
Ci: Tanja Koop
Ed: Joe Bini

   
  Fri. January 18, 6:15pm, Holiday Village Cinema III, Park City
Sat. January 19, 3:00pm, Screening Room, Sundance Resort
Sat. January 19, Midnight, Holiday Village Cinema IV, Park City
Sun. January 20, 3:45pm, Broadway Centre Cinemas V, SLC
Wed. January 23, 11:30am, Prospector Square Theatre, Park City
Fri. January 25, 3:15pm, Holiday Village Cinema III, Park City
   
  from Hollywood Reporter: site
 

Sundance bidding for 'Polanski' is on

By Steven Zeitchik and Gregg Goldstein

Jan 19, 2008

PARK CITY -- Friday night saw Sundance sales activity begin to percolate, with the most juicy story line involving the possibility of the old and the new Miramax pursuing the same project.

Sources said both the Weinstein Co. and the Daniel Battsek-run specialty division were in talks for "Roman Polanski: Wanted and Desired," Maria Zenovich's docu that tracks the iconic director's statutory rape trial and urges a second look at the particulars of the case. An international deal was already said to be close for the film.

The movie screened Friday evening at a small screening at Holiday Village and met with widespread acclaim. A bidding battle between the Weinstein Co. and its former corporate home would provide one of the first instances of the two aggressively pursuing the same project. A third specialty division also was said to be in the mix.

Harvey Weinstein was spotted late Friday evening at both afterparties for Jonathan Levine's coming-of-age dramedy "The Wackness" and the Big Beach female-bonding drama "Sunshine Cleaning." Those movies played to packed, distributor-heavy screenings at the Racquet Club, but neither movie was said to be close to a deal by midnight Friday.
   
  from Hollywood Reporter: site
 

Roman Polanski: Wanted and Desired

Bottom Line: Engrossing and well-researched documentary reopens the Polanski case with surprising results.

By James Greenberg

Jan 20, 2008

Sundance Film Festival

PARK CITY -- For movie lovers around the world, one of the saddest chapters in film history was the exile of Roman Polanski from the U.S. more than 30 years ago. Convicted of having unlawful sexual intercourse with a minor, Polanski fled the U.S. rather than risk serving extended jail time. Over the years, the case has become encrusted with media-created mythology. Now Marina Zenovich's thoroughly researched and beautifully crafted documentary revisits the case and introduces new evidence that suggests a gross miscarriage of justice. It's a compelling tale that should be a natural for film savvy cable outlets.

Zenovich does not argue that what Polanski did to 13-year-old Samantha Geimer was right, but she does present a compelling case that he was not treated fairly by the judicial system, especially by his trial judge, Laurence Rittenband. It's a complex story with many moving parts, and Zenovich gives context to the main drama by referencing Polanski's horrendous childhood fleeing the Nazis in Poland and the death of his mother in a prison camp.

But what really set the stage was the murder of his pregnant wife, Sharon Tate, by the Manson family. It's from this point on that Polanski became the center of a three-ring media circus and was identified by the public as a profligate dwarf. It was his misfortune to draw a judge that was always playing to the court of public opinion and saw himself as a director on the bench. One of the film's subtle points is the role the media played, as long ago as 1977, in influencing justice.

Even after Polanski's defense attorney Douglas Dalton and the district attorney Roger Gunson, and the victim herself, argued for a plea bargain, Judge Rittenband was determined not to appear soft on crime in the press. Breaking years of silence, Dalton and Gunson chronicle what became in Dalton's words a "surreal" scene. Polanski was examined by two court-appointed psychiatrists, one of whom testifies in the film, and deemed to not be a mentally deranged sex offender. But Rittenband still treated him as one.

Not knowing what to do with this thorny public relations nightmare, Rittenband sent Polanski off to Chino State Penitentiary, perhaps illegally, to undergo a further 90-day evaluation period, which was in essence a sentence more than a diagnostic measure.

Dalton and Gunson cite multiple instances where Rittenband prevailed on them to stage a dog-and-pony show for the benefit of the media to justify his handling of the case. And they also cite several occasions where Rittenband promised one thing only to change his mind at the last minute.

Finally, Polanski couldn't stand it anymore. In an archival British interview that appropriately opens the film, Polanski says he felt like he was a mouse being toyed with for sport. Again overreaching his jurisdiction, Rittenband said he would release the director from serving additional time if he waived his right to a deportation hearing and basically just left the country.

The machinations of his departure are well-documented as his then-employer Dino De Laurentiis reportedly slipped him some cash in a fateful Beverly Hills meeting. Perhaps the film's greatest revelation is a statement by Gunson, the man who spent months prosecuting Polanski, that he was not surprised the director left under those circumstances.

It really is an amazing story, and Zenovich does it justice. She includes dozens of interviews, and did dozens more she doesn't include. Except for some rare archival footage, such as a scene of Polanski on the set of "The Fearless Vampire Killers" directing Sharon Tate, the director was not interviewed for the film. But many people from his life appear as friendly witnesses, including Geimar. In addition, Zenovich and her crack editor Joe Bini expertly weave in telling scenes from Polanski's films that suggest his legal troubles were like something out of one of his dark and twisted movies.

Most people remember that Polanski left the country, but few know why and under what circumstances. "Wanted and Desired" finally sets the record straight, and, if there is any justice in the world, Polanski will be allowed to return to this country not as a pariah but as someone who made a mistake and has more than paid for it.